One
of the earliest and most influential grimoires was Liber
Sacer sive Juratus, which literally means The Sacred
or Sworn Book of Honorius . The book was considered
sacred by its author and many of its owners because
it contained techniques for calling the angels, and
for achieving the Beatific vision. The author is not
the Pope Honorius of later Faustian grimoires but an
altogether more interesting figure called Honorius
filius Euclid of Thebes.
The
most familiar Euclid is Euclid of Megara who devised
the basic theorems of geometry that all school children
used to be obliged to learn. Honorius, the author
of the Sworn Book is referred to as the son of Euclid
of Thebes (probably the Thebes in Greece not that
of Egypt). This is not the same Euclid, but a more
shadowy figure who may well have originally written
in Greek.
The
book opens with the mention of a convocation or meeting
at which 811 Masters of magic assemble to decide how
to resist a papal plan to persecute magicians. This
meeting, which caused the Sworn Book to be written,
drew its adepts from as far afield as Athens, Tholetus
[Toledo) and Naples, the later city being where the
convocation was held.
The
Sworn Book was written by Honorius at the request
of this group of 811 Master Magicians, to preserve
their secrets, and allegedly with the help of the
angel Hocroell. Even at this point we see magicians
soliciting the help of angels in intellectual endeavour,
a theme that will continue to repeat itself over the
next 800 years. The date of composition of this grimoire
is definitely before 1249, and most likely date being
during the papacy of Gregory IX (1227-41) a pope who
attempted to suppress magic and persecute magicians,
as he saw them as a threat to the authority of the
church. They were a threat because they purported
to converse directly with angels!
Three
centuries later John Dee owned a copy of the Sworn
Book, and undoubtedly drew upon it for the design
of his key sigil, the Sigillum Aemeth. Perhaps it
was also the source of the idea that prayers made
to the angels could result in communication from beings
with superior knowledge and intelligence.
It
is also very suggestive that John Dee gave his first
public lectures on Euclid of Megara, and in fact contributed
a Mathematical Preface to the first edition of Euclid
which he helped translate (with Henry Billingsley)
and publish in English in 1570. Euclid resurfaces
much later in 1651, when significantly a certain Captain
Thomas Rudd (1583-1665) published just the first six
books of the geometry of Euclid of Megara together
with the same Preface by John Dee.
Both
Rudd and Dee (who owned a copy) would have been familiar
with the Sworn Book of Honorius son of Euclid of Thebes.
Is it possible that their interest aroused in Euclid
of Megara may have initially been caused by a confusion
of this Euclid with the Euclid of Thebes?
In
Dees efforts to get intellectual satisfaction
from the angels, piety and cleanliness were paramount
considerations. This grimoire stresses the purity
of its intent, and not just in order to preserve its
owners from possible ecclesiastical prosecution. In
the opening paragraphs it says it is not possible
that a wicked and unclean man could work truly in
this art; for men are not bound unto spirits, but
spirits are constrained against their will to answer
clean men and fulfil their requests. This is
a very important point. And later it explains that
we call this book the Sacred or Sworn Book for
in it is contained 100 sacred names of God and thus
[it is] sacred, for it is made of holy things
it
was consecrated by God.
For
Dee, the Sworn Book was very important. It was not
just concerned with the invocation of angels, but
was the origin of the Sigillum Aemeth (or Sigil of
Truth) that is the key diagram engraved on the wax
tablets used on his Table of Practice, and on the
wax tablets used as supports under its legs. This
Sigil, which has a complex geometry, and should be
coloured according to very specific rules, may even
pre-date the Sworn Book. It also appeared in one of
Kirchers books. The Sworn Book is therefore
a prime example of a grimoire which provided the basic
rationale, equipment, diagrams and techniques of angel
magic.
The
Sworn Book was very influential amongst a wider circle
of Elizabethan intellectuals, and it is interesting
to note that Ben Jonson (1573-1637), the playwright
contemporary of Shakespeare, was also the owner of
one of the main surviving manuscript copies of The
Sworn Book. It is well known that Jonson was interested
in and well informed about alchemy, which can be seen
from the detail in his play The Alchemist. However
it is not so well known that he was also interested
in and practiced the angel magic contained in the
Sworn Book.
Giordano
Bruno visited Dee, and probably read his copy of the
Sworn Book when he was in England in the early 1580s,
actually incorporated into his book on the Kabalah,
a character called Onorio from Thebes:
probably a sly reference to Honorius of Thebes.
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