The
Resurgence of the Divine Feminine : Lecture notes from
talks given by Sorita D'Este at London Earth Mysteries
(2003) and Witchfest (2004).
----------------------------
"I am all that is and was and ever shall be",
the words of Isis from Ancient Egypt.
But
how well did the goddess survive through the ages
after Christianity had spread its brand of monotheistic
patriarchy across Europe? It is obvious that in countries
such as India various goddesses like Kali and Lakshmi
have survived for millennia, so perhaps I should have
titled this talk "The resurgence of the divine
feminine in Europe"!
The
first place to look has to be the Christian church
itself. The virgin Mary with baby Jesus was an image
that held much in common with Isis with baby Horus,
and indeed some of the older imagery was incorporated
into early Christian representations.
However,
although it is a nice romantic image to think of goddesses
such as Isis and Aphrodite surviving through Mary,
it is not very realistic. The cult of Mary was not
really significant until the twelfth century, with
the introduction of the Ave Maria. This is not to
say that poetry, shrines and writings about Mary did
not occur, but they were more isolated to areas rather
than being a widespread and popular belief. It is
interesting to note that of all the groups in the
Dark Ages, the Saxons seemed to be the one most concerned
with Mary worship.
From
a cynical point of view, we may note that many Marian
shrines were associated with miracles, and became
extremely wealthy through offerings made by pilgrims.
By the fifteenth century, Mary was everywhere in Christianity,
and her worship spreading so dramatically was largely
due to the monasteries, who had perpetuated her worship
through the previous three centuries and expanded
the canonical verse and perception of her.
Through
the Middle Ages the influence of Mary grew and grew.
Most people do not realise quite how all-pervading
she has been. Indeed if there is a universal goddess,
it is Mary. Let us have a look at some of the acts
associated with Mary during these times for a clearer
perspective.
In
1381 Richard II consecrated England to Mary as "her
dowry". Louis XIII consecrated France to Mary
in 1638, declaring "We consecrate to her particularly
our person, our state, our crown and our subjects".
King Casimir did the same with Poland in 1656. In
1643 by order of King Phillip IV of Spain all of the
Spanish colonies in South America were dedicated to
Mary, and in 1664 King John IV did the same for the
Portugese colonies, followed by Austria a year later.
And in 1846 the bishops of America did the same for
the United States.
In
1856 the Doctrine of the Immaculate Conception
was decreed by the Catholic church. This is often
misrepresented, for it really declares that Mary was
without sin, and was the first person to be so, for
she had to be to bear Jesus. So Mary becomes the perfect
one before Jesus!
From mother of Jesus, the view of Mary changed so
that she became Queen of Heaven, Gate of heaven, the
interceder with God.
And
Mary is even present in Islam. Mohammed wrote of his
daughter Fatima, "Thou shalt be the most blessed
of all the women in Paradise, after Mary."
The worship of Mary, and Fatima as an aspect of Mary,
have spread this incredible upsurge through Islam
as well as Christianity. Visions of Mary have occurred
in Muslim countries and caused a similar reaction
to that in Christian countries, and do not require
any change of faith to be seen as veneration of a
holy and potent figure of within their own religion.
Around
1950 there is another change. Perhaps as the result
of two World Wars, shattering many images of faith
and changing the face of world politics, economics
and society. In 1950 Pope Pius XII declared the assumption
of Mary, so she shared with Jesus the ascension to
heaven. In a poll beforehand, over 90% of bishops
and theologians were in favour of this move, showing
an awareness of a need for greater attention to the
feminine.
Pope
John Paul II credited Mary with saving him after the
assassination attempt on his life. His personal motto
is "totus tuus sum Maria" or Mary
I am all yours, and this is embroidered inside
his robes in the Latin, he has also put the M for
Mary in his coat of arms. Since then, on several occasions,
he has dedicated the whole word to Mary! And this
is supposed to be the patriarchy? It is clear when
we look more closely at what has happened with the
Catholic Church that it is the greatest propagator
of goddess worship in modern times, through Mary as
the most popular figure in the church.
And
to give an example with excerpts from one of Pope
John Paul II's public addresses, given in 1993 to
375,000 people:
"With my heart full of praise for the Queen
of Heaven
I greet all of you who are present
in this solemn liturgy
this liturgy presents
you Mary, as the woman clothed with the sun
.
In Mary the final victory of life over death is already
a reality
. O Mary as Mother of the Church,
you guide us still from your place in heaven and help
us to increase in holiness"
And
this is being spread by the Catholics! Time magazine
wrote "John Paul II has made Mary's unifying
power a centrepiece of his papal arsenal. He has visited
countless Marian shrines during his globe trotting,
and invokes the Madonna's aid in nearly every discourse
and prayer that he delivers." We can see
that the power of the divine feminine is clearly recognised
by the Catholic church, even if many people choose
to ignore this fact as not fitting in with their preconceptions
about Christianity.
The
number of Marian shrines around the world has continued
to grow and expand massively, there are at least 937
in France alone. Apparitions and visions of Mary are
seen in every corner of the globe, attracting huge
numbers of pilgrims. Lourdes attracts at least 5.5
million pilgrims a year, the Black Madonna in Poland
5 million, Fatima in Portugal 4.5 million, Knock in
Ireland 1.5 million, The Shrine of Our Lady of Guadaalupe
in mexico City, 20 million! And the list goes on.
What pagan goddess boasts such worship?
So
what about the saints, and the survival of goddesses
as saints, like Bride becoming St Bride or Brigid.
Again this can be seen originally as a phenomena localised
to areas rather than a universal spreading of worship.
The saints allowed magic to be done on a localised
scale within the confines of the church, through prayer
and devotion. Of course with the spread of Mary's
worship has also come an increase in the worship of
the saints. A saint for every occasion. Praying to
saints is magic that can be sanctioned by the church.
The
main survival of the goddess through the Middle Ages
from a perspective that would flower into modern pagan
goddess worship was more through poetic writings.
In such writings the dominant figure is the goddess
of love - Aphrodite-Venus.
At
the turn of the 19th century came the Romantic Movement.
Through the writings and art of this movement the
Moon and Earth goddesses also became more prominent
with the Love goddess, especially through such poets
as Keats and Shelley, and later Swinburne.
The
beginning of the magickal revival in the late 19th
century started to give more focus to Goddess worship.
The Hermetic Order of the Golden Dawn, with such prominent
women as Moina Mathers, Florence Farr and Annie Horniman,
began to introduce goddesses like Isis back more prominently
into magick.
From
the Golden Dawn came the figure of Aleister Crowley,
venerating the goddess as an ideal through figures
like Nuit, the star goddess, and Babalon as the sexual
goddess. This was not reflected in his treatment of
women in his personal life unfortunately, even though
he received his most important work, Liber Al, the
Book of the Law, through his wife Rose in Cairo in
1904.
Some
would point to Margaret Murray and her writings in
the 1920s on the survival of the medieval witch cult.
However Murray focused more on the God of the Witches
in her work, which was academically somewhat full
of holes. At the same time Dion Fortune was writing,
and it is curious that for someone who was essentially
a Christian mystic, her most influential works should
be the two novels about Morgan leFay, priestess of
Isis, in The Sea Priestess and Moon Magic.
A
concept that Dion Fortune put across in these books,
which weren't published until the late forties and
early fifties, was that "all goddesses are
one goddess." This has led to the widespread
use of the generic term "the goddess" to
describe the vast array of goddesses, with many people
seeing the different goddesses as all aspects of a
greater whole.
And
then we come to Gerald Gardner and Wicca. Surely this
is indicative of a revival of Goddess worship. No,
it wasn't, well not to start with anyway. The early
Gardnerian material was focused much more on the Horned
God. Gardner did however perpetuate the Fortune viewpoint,
with such phrases in the Charge of the Goddess as
"Listen to the words of the Great mother,
who of old was also called among men Artemis, Astarte,
Dione, Melusine, Aphrodite, Cerridwen, Diana, Arianrhod,
Bride, and by many other names."
The
1950s see the real beginning of the goddess revival
with particularly significant input into the Goddess
resurgence. One of these was the publication in 1951
of Robert Graves "White Goddess".
This work, although again not entirely factually accurate,
was a beautiful poetic perception that was to significantly
affect paganism and the pre-eminence of the goddess
in the modern revival.
Likewise,
the initiation of Doreen Valiente into Wicca, and
her subsequent rewriting of much of the material,
made Wicca into a much more goddess-centred religion.
Her crowning work probably being her rendition of
The Charge of the Goddess. Although this draws on
much earlier work, especially Crowley and Leland's
Aradia: Gospel of the Witches, it is a stunningly
beautiful vision of the Goddess that has been influential
ever since.
The
sexual revolution of the late sixties brought about
an increase in awareness of the divine feminine, and
from the social melting pot of change this created,
came the women's movement and a desire to reclaim
the divine feminine. Writers such as Z Budapest, Merlin
Stone, Mary Daly and Monica Sjoo began producing material
which although not always academically accurate, portrayed
the goddess as an eternal figure. A golden age of
matriarchy and the burning times became modern myths
that women could identify with, and gave them a focus.
As
a result of such writings, and at a time when Wicca
was becoming much more popular through Alex and Maxine
Saunders, the Goddess was re-entering the mainstream
of alternative religion. She was already present in
Catholicism with the growth of the Mary cult in the
twentieth century. It is worth commenting in passing
that the two greatest icons of modern sexuality, Marilyn
Monroe and Madonna both have names which derive from
this worship.
The
difference in these two icons reveals a lot about
the way the feminine power in society has changed.
In the fifties, Marilyn Monroe was the ultimate sexual
fantasy, a modern Venus, defined by her associations
with powerful men and radiating sexuality and sensuality,
whilst her intelligence was ignored - she was supposed
to be a dumb blonde. The allegorical quote for Marilyn
Monroe was her definition of success - "not having
to suck any more cocks".
Whereas
Madonna in the eighties and nineties reinvented herself
regularly, was in charge of her own affairs, and has
had success and adoration on her own terms. Madonna
is a reflection of a difference in the energy, the
self-sufficiency and ability to beat the men at their
own game and not be defined by them as Marilyn Monroe
was, perhaps best illustrated by her comment "the
world is ruled by pussy"!
From
Wicca came a whole range of spin-offs, with writers
like Starhawk and Marija Gimbutas continuing to spread
the image of the goddess as the pre-eminent divinity.
These images concentrated on women reclaiming their
power, and more attention was focused on reclaiming
demonised goddesses who represented feminine power,
like Lilith and Kali.
The
accuracy of the images portrayed by feminist writers
left a lot to be desired. Very biased interpretations
of myths or outright ignoring of parts of myths, or
declaring that a god was really a goddess who had
been made male were quite common occurrences.
Examining
a few of the favourite goddesses of the feminist writers
will illustrate this point. Sekhmet, for example,
is always portrayed as the fierce sexual power and
ability to overcome of women. However she acted at
the behest of Ra her father, who banished her to Nubia
after her zealous slaughter of most of humanity. Daddy
was not impressed!
Likewise
Athena, the smart woman. Of course her origins give
her away, springing fully formed from Zeus' head without
a mother in the process, she was bound to be a god's
goddess, as it were, although this has been ignored
in some circles. In the Oresteia when it is time for
the judgement of Orestes for matricide to avenge the
murder of his father by his mother, Athena sides with
Apollo against the Furies in decreeing the death of
the man more important, and the male role in procreation
more important.
Whilst
we may disagree with the myth, and agree with the
feminists that this is a biased bit of patriarchy,
the point is that like the Sekhmet myth, these are
very old tales. In ancient times, although goddesses
were common in most pantheons, they did not tend to
be at the top of the tree, so to speak. A male god
was almost inevitably in place as the head of a pantheon.
There
is no solid evidence of a matriarchal pre-eminent
goddess, earth mother, even in Neolithic times. Figures
cited as evidence such as the Venus of Willendorf,
could just as easily be fertility figures. And what
is often more interesting with such figures is the
context they are found in, i.e. what else is with
them.
In
the case of the Willendorf figure there were, for
example, pieces of moldavite, meteoric glass. Considering
the magickal significance that has always been attached
to meteorites the figure could have been a fertility
fetish to be empowered by other magickal items in
an age where life expectancy was low and infant mortality
high. We cannot say categorically in these cases,
and it is a mistake to put our own attributions onto
the distant past so categorically.
Also
during the seventies came the creation of the Fellowship
Of Isis, with its emphasis on the return of the divine
feminine, and the importance of this as a balance
to the previous centuries of patriarchy. The FOI however,
although it placed the emphasis on the goddesses,
celebrated their worship including their companion
gods in a secondary position, not excluding them as
many feminists did.
The
FOI also continued the concept of "All goddesses
are one goddess", under the "Isis of 10,000
names" banner, suggesting that each goddess was
an aspect of a universal goddess, who they represented
as Isis.
In
many pantheons and traditions, what does come across
as a recurring theme is the role of goddesses as the
interceder. So for the Gnostics, Sophia as the divine
wisdom is far more accessible than any male figure.
Likewise to the Jews, Shekinah is the feminine power
that represents the action of divinity on earth, in
between humanity and Jehovah. As has already been
shown, Mary is the ultimate interceder, having largely
replaced Jesus in the Catholic church as the entity
to approach if you want to get things done.
The
attempt to make all goddesses aspects of one goddess
may be an attempt to reclaim the universal goddess
from the Christians, but it can be seen that they
have actually been worshipping her long before the
pagan revival, and the resurgence of the divine feminine
has been going on for centuries.
Today there are countless groups of people all over
the modern world who are working to awaken the worship
of the Goddesses of antiquity again. From groups of
feminist Womyn to Wiccan Covens, Goddess groups in
Glastonbury and large festivals in London in which
ceremonies are held for hundreds and thousands of
people each year, bringing alive the worship of the
Old Goddesses again. But we are still in the minority,
and within that minority there is a great deal of
disagreement on terminology, bad scholarship and sometimes
dogmatic thinking being applied to the work we are
doing.
Although we would never want to admit it, modern pagans
of the twentieth and twenty-first century are striving
to catch up with the Church of Rome when it comes
to recognising the Feminine Divine. They may find
themselves being subsumed beneath Marian worship if
they cannot develop a coherence of thought and belief
to match that of the Catholic church.
Diversity has its place, but when it is full of woolly
thinking and petty dispute, it does not bode well
for the pagan revival of the worship of the ancient
goddesses.